Poor Things film review
A film where chaos and art constantly collide. ⭐️⭐️⭐️⭐️.5
Yorgos Lanthimos once again showcases his directorial prowess in “Poor Things” (2023), solidifying his status as a force to be reckoned with in the cinematic world. Lanthimos effortlessly crafts visually stunning worlds with plots full of purpose and constantly extracts exceptional performances from his actors.
With that in mind Emma Stone and Mark Ruffalo both deliver, in my opinion, their best ever performances. Arguably at their career peaks, Stone delivers a performance filled with innocence, curiosity, whilst Ruffalo one full of charm, arrogance, and adoration. Their chemistry brings humour that resonates throughout the film, prompting collective laughter from the audience.
The film’s standout feature lies in its exceptional cinematography and set design, earning plaudits above all else. Every scene could easily find a place in The National Gallery, alongside The Fighting Temeraire. The vibrant colors, re-imagined building designs, and the abundance of life in each frame serve as an ode to the beauty inherent in life itself. The visual elements inspire viewers to crave more, encouraging them to see the world with renewed appreciation.
The ensembles supporting cast, including Willem Dafoe, Ramy Youssef, Suzy Bemba, Jerrod Carmichael, Margaret Qually, Christopher Abbott, and Katheryn Hunter, delivers flawless performances. It becomes a challenge to single out standout performers as each actor does justice to their role, creating an ensemble that rivals any in recent cinema.
Addressing criticisms, particularly the issue of Bella having a child’s brain yet being promiscuous, personally I acknowledge these diverse opinions but defends the film. At its heart it focuses on growth, evolution, and self-discovery amidst flaws and harsh realities. The thematic exploration resonates, adding depth to the characters and their journeys.
With a staggering 11 Academy Award nominations, including Best Picture, Director, Lead Actress, Supporting Actor, and Best Adapted Screenplay, “Poor Things” stands as a major contender. However, the competition in this remarkable year suggests film might realistically contend strongly for Best Actress and Best Cinematography awards.
“Poor Things” is a testament to Yorgos Lanthimos’s directorial prowess and the exceptional performances of its cast. The film’s visual brilliance, coupled with a thought-provoking narrative, places it in the limelight of this year’s awards season. Despite acknowledging certain criticisms, I look forward to seeing it being home at least one Academy Award this season, celebrating the film’s impact on cinema in a year destined for greatness.
