Prey (2022) film review

‘Prey’ ⭐️⭐️⭐️⭐️.

A real film, and cinema at its finest.

Rarely does a film come along that leaves you almost speechless, making it incredibly challenging to critique. ‘Prey’ is one such cinematic gem that defies traditional criticism because of its sheer beauty and emotional depth. This 2022 instalment of the Predator franchise is a breath of fresh air in an era saturated with uninspiring legacy sequels and franchise revivals.

One of the film’s most remarkable aspects is the exceptional performances by its cast. Dakota Beavers and Mike Paterson deliver passionate, genuine performances that draw you into their characters’ lives and their struggles to survive. Beavers acts as the caring older brother from mark one, creating a bold with the viewer instantly. Whereas Paterson connects to the audience through other means, fear. His portrayal of invader turned hunter, turned hunted leaves chills on your arm.

However, it’s Amber Midthunder who steals the show with a captivating portrayal that in my personal opinion undoubtedly ranks among the finest of 2022. Her depth and authenticity make her character unforgettable, elevating the film to new heights and begging for more to come of her.

But it’s not just the acting that shines; every frame in ‘Prey’ is a work of art. The meticulous craftsmanship behind the camera, from shot composition to lighting, creates a world of stunning visual beauty. It’s evident that the filmmakers carefully selected each location and set, ensuring they contribute to the film’s overall aesthetic. This attention to detail is what sets ‘Prey’ apart from the average action or sci-fi film.

What truly distinguishes this instalment is its ability to tell a Native American story rather than merely existing within the ‘Predator’ franchise. The film delves into the Native American people’s determination to survive and preserve their culture, making it an inspiring and culturally significant narrative. ‘Prey’ doesn’t merely use Native American culture as a backdrop; it genuinely embraces it, creating a powerful and respectful portrayal.

In an era when many sequels and franchise reboots are driven by financial gain rather than artistic integrity, ‘Prey’ is a shining example of what can be achieved when a creative team is dedicated to delivering a meaningful and visually stunning experience. It reminds us that there is room for innovation and artistic excellence in established franchises.

The impact of ‘Prey’ extends beyond the screen. This film’s storytelling and representation leave a lasting impression, igniting a desire for more films that explore the unique cultures and histories of various communities. For example, the overwhelming lasting impact this film has on myself is the dream of a ‘Predator’ film set in samurai Japan, or other such immersive settings, where the franchise continues to expand its horizons and tell important stories.

Despite this film not being quite perfect, the only criticism I have of is that despite it being nothing shy of a cinematic triumph, it never got released in the cinemas. This is exactly the type of film that should be watched on the largest screen possible.

In conclusion, ‘Prey’ is a masterpiece that transcends criticism. Its beauty, exceptional acting, and respectful portrayal of Native American culture make it a standout in the ‘Predator’ franchise and modern cinema in general. It serves as a reminder that in the age of franchise reboots, originality, and authenticity still have a place in the cinematic landscape. This film is a testament to the power of storytelling and leaves audiences yearning for more unique, culturally rich narratives not just in the ‘Predator’ universe but in cinema as a whole. ‘Prey’ sets a new standard for what a franchise film can achieve, and it is, without a doubt, a cinematic triumph.